When a learner is unable to perform the rasa they are nearest to when the music halts, they must step out of the circle and exit the game for that round. This rule encourages students to think quickly and express emotions confidently. It creates a fun, slightly competitive environment that motivatesRead more
When a learner is unable to perform the rasa they are nearest to when the music halts, they must step out of the circle and exit the game for that round. This rule encourages students to think quickly and express emotions confidently. It creates a fun, slightly competitive environment that motivates students to improve their understanding and performance of the rasas. Students observe others and learn by watching as well, building group learning and emotional expressiveness.
An alternative setup for the Navarasa Game is to draw nine boxes on the floor instead of a circle, each box representing one of the nine rasas. Students move around or between the boxes while music plays. When the music stops, students must express the emotion represented by the box they are closestRead more
An alternative setup for the Navarasa Game is to draw nine boxes on the floor instead of a circle, each box representing one of the nine rasas. Students move around or between the boxes while music plays. When the music stops, students must express the emotion represented by the box they are closest to. This method offers a different spatial arrangement that may be easier in smaller or rectangular spaces, while maintaining the same learning objective of rasa expression.
The concept of rasa in performing arts is very broad, covering not only emotional expression but also the full range of artistic elements. It speaks about storytelling, dance, makeup, costume design, lighting, discipline, rehearsals and the responsibility of art towards the audience. The ultimate goRead more
The concept of rasa in performing arts is very broad, covering not only emotional expression but also the full range of artistic elements. It speaks about storytelling, dance, makeup, costume design, lighting, discipline, rehearsals and the responsibility of art towards the audience. The ultimate goal of arts, according to this concept, could even be spiritual liberation or moksha. Rasa is therefore fundamental to understanding both the technical and emotional depth of Indian performing traditions.
The Natyashastra is the ancient text that elaborates on all aspects of the performing arts, including makeup, costumes, lighting, music, dance, storytelling, rehearsals and the discipline required for artists. It provides detailed guidelines for creating performances that engage and elevate the audiRead more
The Natyashastra is the ancient text that elaborates on all aspects of the performing arts, including makeup, costumes, lighting, music, dance, storytelling, rehearsals and the discipline required for artists. It provides detailed guidelines for creating performances that engage and elevate the audience, highlighting the immense responsibility that artists bear. Authored by Bharata Muni, this text forms the bedrock of traditional Indian theatre and continues to influence contemporary understanding of performance and emotion.
Bharata Muni, an intelligent sage, wrote the Natyashastra. He was tasked by Brahma to simplify the complex knowledge of the performing arts, which was originally presented in the Natya Veda. Bharata Muni gathered knowledge from the four Vedas—dialogue, movement, music and emotions—and composed the NRead more
Bharata Muni, an intelligent sage, wrote the Natyashastra. He was tasked by Brahma to simplify the complex knowledge of the performing arts, which was originally presented in the Natya Veda. Bharata Muni gathered knowledge from the four Vedas—dialogue, movement, music and emotions—and composed the Natyashastra to make it understandable for everyone. His work became a vital guide for actors, dancers and musicians and it remains an essential part of India’s artistic heritage.
What happens if a learner cannot perform the rasa in the game?
When a learner is unable to perform the rasa they are nearest to when the music halts, they must step out of the circle and exit the game for that round. This rule encourages students to think quickly and express emotions confidently. It creates a fun, slightly competitive environment that motivatesRead more
When a learner is unable to perform the rasa they are nearest to when the music halts, they must step out of the circle and exit the game for that round. This rule encourages students to think quickly and express emotions confidently. It creates a fun, slightly competitive environment that motivates students to improve their understanding and performance of the rasas. Students observe others and learn by watching as well, building group learning and emotional expressiveness.
See lessWhat is an alternative method for setting up the Navarasa Game instead of a circle?
An alternative setup for the Navarasa Game is to draw nine boxes on the floor instead of a circle, each box representing one of the nine rasas. Students move around or between the boxes while music plays. When the music stops, students must express the emotion represented by the box they are closestRead more
An alternative setup for the Navarasa Game is to draw nine boxes on the floor instead of a circle, each box representing one of the nine rasas. Students move around or between the boxes while music plays. When the music stops, students must express the emotion represented by the box they are closest to. This method offers a different spatial arrangement that may be easier in smaller or rectangular spaces, while maintaining the same learning objective of rasa expression.
See lessWhat does the concept of rasa cover in performing arts?
The concept of rasa in performing arts is very broad, covering not only emotional expression but also the full range of artistic elements. It speaks about storytelling, dance, makeup, costume design, lighting, discipline, rehearsals and the responsibility of art towards the audience. The ultimate goRead more
The concept of rasa in performing arts is very broad, covering not only emotional expression but also the full range of artistic elements. It speaks about storytelling, dance, makeup, costume design, lighting, discipline, rehearsals and the responsibility of art towards the audience. The ultimate goal of arts, according to this concept, could even be spiritual liberation or moksha. Rasa is therefore fundamental to understanding both the technical and emotional depth of Indian performing traditions.
See lessWhich ancient text talks about makeup, costumes, lights, dance and more?
The Natyashastra is the ancient text that elaborates on all aspects of the performing arts, including makeup, costumes, lighting, music, dance, storytelling, rehearsals and the discipline required for artists. It provides detailed guidelines for creating performances that engage and elevate the audiRead more
The Natyashastra is the ancient text that elaborates on all aspects of the performing arts, including makeup, costumes, lighting, music, dance, storytelling, rehearsals and the discipline required for artists. It provides detailed guidelines for creating performances that engage and elevate the audience, highlighting the immense responsibility that artists bear. Authored by Bharata Muni, this text forms the bedrock of traditional Indian theatre and continues to influence contemporary understanding of performance and emotion.
See lessWho wrote the Natyashastra?
Bharata Muni, an intelligent sage, wrote the Natyashastra. He was tasked by Brahma to simplify the complex knowledge of the performing arts, which was originally presented in the Natya Veda. Bharata Muni gathered knowledge from the four Vedas—dialogue, movement, music and emotions—and composed the NRead more
Bharata Muni, an intelligent sage, wrote the Natyashastra. He was tasked by Brahma to simplify the complex knowledge of the performing arts, which was originally presented in the Natya Veda. Bharata Muni gathered knowledge from the four Vedas—dialogue, movement, music and emotions—and composed the Natyashastra to make it understandable for everyone. His work became a vital guide for actors, dancers and musicians and it remains an essential part of India’s artistic heritage.
See less