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Srushti

Indian musicians practice raga-based compositions to develop precision, improvisation skills and emotional depth. Understanding a raga’s nuances, patterns and expressions ensures mastery, allowing for creative, expressive and disciplined performances. Class 6 Visual Arts Textbook chapter 8 Taal or Talam and Raga ...

Srushti

The swaramalika is set to Teentaal, a 16-beat rhythmic cycle commonly used in Hindustani music. It follows a pattern of 4+4+4+4 beats, providing a steady framework for compositions and improvisation. Class 6 Arts Grade 6 chapter 8 Taal or Talam and ...

Prasant

In Carnatic music, the term “Arohanam” is used instead of “Aroha” in Hindustani music. Both refer to the ascending sequence of notes in a raga, which determines its melodic structure and movement. Class 6 Arts Grade 6 chapter 8 Taal or ...

Prasant

Carnatic music uses veena, violin, flute, nadaswaram, mridangam, ghatam, kanjira and morsing. These instruments create distinct melodic and rhythmic patterns essential to South Indian classical compositions. Class 6 Arts Kriti-I Chapter 8 Taal or Talam and Raga or Ragam in Indian ...

Rajshekhar

Laghu can have 3, 4, 5, 7 or 9 beats, depending on the jaati (beat type). It is a fundamental part of Carnatic talam, helping define rhythmic cycles and maintain tempo in compositions. Class 6 NCERT Arts Chapter 8 Taal or ...