In a Dholak, the part that vibrates to produce sound is the stretched membrane or the "Pudi" (the drumhead). When struck with hands or sticks, the membrane vibrates, generating sound waves. The tension in the drumhead and the resonant cavity of the drum amplify and shape the sound produced.
In a Dholak, the part that vibrates to produce sound is the stretched membrane or the “Pudi” (the drumhead). When struck with hands or sticks, the membrane vibrates, generating sound waves. The tension in the drumhead and the resonant cavity of the drum amplify and shape the sound produced.
In a Sitar, the part that vibrates to produce sound is the strings. When plucked or strummed by the musician's fingers or a plectrum (mizrab), the strings vibrate, creating sound waves. These vibrations are transmitted through the bridge to the body of the Sitar, where they resonate and amplify, proRead more
In a Sitar, the part that vibrates to produce sound is the strings. When plucked or strummed by the musician’s fingers or a plectrum (mizrab), the strings vibrate, creating sound waves. These vibrations are transmitted through the bridge to the body of the Sitar, where they resonate and amplify, producing the instrument’s distinctive sound.
In a Flute, the part that vibrates to produce sound is the air column inside the instrument. When a musician blows air across the edge of the embouchure hole (mouthpiece) or blows air through a mouthpiece directed towards the edge, it creates vibrations within the column of air. These vibrations genRead more
In a Flute, the part that vibrates to produce sound is the air column inside the instrument. When a musician blows air across the edge of the embouchure hole (mouthpiece) or blows air through a mouthpiece directed towards the edge, it creates vibrations within the column of air. These vibrations generate sound waves that resonate within the flute’s hollow body, producing the musical tones. Adjusting the player’s fingers over the holes along the flute alters the length of the vibrating air column, creating different notes.
The difference between noise and music lies in their structural organization, aesthetic qualities, and subjective perception: 1. Noise: Noise refers to irregular, chaotic, or unpleasant sounds lacking musical structure, harmony, or rhythm. It often comprises random frequencies without a discernibleRead more
The difference between noise and music lies in their structural organization, aesthetic qualities, and subjective perception:
1. Noise: Noise refers to irregular, chaotic, or unpleasant sounds lacking musical structure, harmony, or rhythm. It often comprises random frequencies without a discernible pattern. Examples include traffic din, machinery clatter, or other irregular and disordered sounds.
2. Music: Music involves a structured arrangement of sounds, following rhythmic, melodic, and harmonic patterns. It has a deliberate organization, conveying emotions, messages, or artistic expression. Music is often composed, played, or performed with aesthetic and emotional intent.
The categorization of whether music becomes noise can vary based on context, perception, and subjective interpretation:
– Contextual Influence: In certain environments, even structured music may be considered noise if it disrupts the expected ambiance or activities. For instance, loud music in a serene setting might be perceived as disruptive noise.
– Subjective Perception: Personal preferences, cultural backgrounds, and individual tolerance levels significantly influence how music is perceived. What one person finds enjoyable and musical might be considered noise by another due to differing tastes or sensitivity.
– Quality and Execution: Music may be misinterpreted as noise if it’s poorly performed, lacks structure, or is discordant, leading to a perception of disarray or unpleasantness.
In essence, while noise and music have distinct characteristics, the boundary between them can be subjective and context-dependent. What is perceived as enjoyable music to one person may be perceived as noise to another based on personal interpretations, context, and the qualities of the sound itself.
Sources of noise pollution in various surroundings encompass: 1. Traffic Noise: Generated by vehicles—cars, buses, trucks—through engines, horns, and exhausts, particularly prevalent in urban areas and near highways. 2. Construction Clamor: Noise emanating from construction sites due to heavy machinRead more
Sources of noise pollution in various surroundings encompass:
1. Traffic Noise: Generated by vehicles—cars, buses, trucks—through engines, horns, and exhausts, particularly prevalent in urban areas and near highways.
2. Construction Clamor: Noise emanating from construction sites due to heavy machinery, drilling, and building activities, affecting nearby residents.
3. Industrial Racket: Factories, manufacturing units, and machinery in industrial zones producing continuous and high-level noise.
4. Aircraft Roar: Noise from aircraft engines and sonic booms, especially around airports or flight corridors.
5. Residential Turmoil: Loud music, barking dogs, lawnmowers, or household chores creating disturbances in residential neighborhoods.
6. Commercial Hubbub: Amplified music, social gatherings, bars, and restaurants contributing to urban noise pollution.
7. Public Events: Noise generated from concerts, festivals, sports events, and parades impacting surrounding areas.
8. Public Address Systems: Loudspeakers in public spaces, transportation hubs, or religious institutions broadcasting at high volumes.
9. Railway Racket: Noise produced by trains—engines, horns, and movement—along railway tracks affecting nearby communities.
10. Recreational Noise: Loud engines of motorcycles, off-road vehicles, and recreational boats disturbing tranquility in recreational areas.
Noise pollution from these diverse sources can lead to detrimental health effects, including stress, hearing impairments, sleep disturbances, and overall decreased quality of life for affected individuals.
Sound, an intriguing aspect of our world, is a result of vibrations that travel through a medium, such as air, solids, or liquids. These vibrations create waves that influence the particles in the medium, causing changes in pressure. This transformation in pressure propagates through the medium, culRead more
Sound, an intriguing aspect of our world, is a result of vibrations that travel through a medium, such as air, solids, or liquids. These vibrations create waves that influence the particles in the medium, causing changes in pressure. This transformation in pressure propagates through the medium, culminating in what we perceive as sound.
The birth of sound involves several fundamental components:
1. Vibrating Object: Imagine a guitar string strummed, a drumhead tapped, or vocal cords producing speech. These actions cause the respective objects to vibrate, initiating the creation of sound waves.
2. Medium: Whether it’s the air around us, the water in a pool, or a solid structure, sound necessitates a medium to travel through. When an object vibrates, it disturbs the particles of this medium, setting off a chain reaction of vibrating particles that transmit the sound.
3. Transmission: As these vibrations traverse through the medium, they manifest as waves consisting of compressions (high-pressure zones) and rarefactions (low-pressure zones). The frequency of these waves dictates the pitch of the sound—a higher frequency translates to a higher pitch, while a lower frequency results in a lower pitch.
4. Reception: When these sound waves reach our ears, they cause our eardrums to vibrate in sync with the original sound’s frequency. These vibrations are then transformed into electrical signals in the inner ear, ultimately interpreted by our brain as sound.
In essence, sound emerges from the vibrations of an object, creating waves that travel through a medium, finally being captured by our ears and processed by our brain, enabling us to perceive it as sound.
A sound wave earns the title of a "longitudinal wave" due to the distinctive manner in which it navigates through a medium. Longitudinal waves are characterized by particle movements aligning parallel to the wave's direction of travel. When we consider a sound wave: 1. Particle Movement: Picture theRead more
A sound wave earns the title of a “longitudinal wave” due to the distinctive manner in which it navigates through a medium. Longitudinal waves are characterized by particle movements aligning parallel to the wave’s direction of travel.
When we consider a sound wave:
1. Particle Movement: Picture the sound traveling through air. The particles in the air sway to and fro along the same axis as the wave’s journey. This means that as the sound wave moves forward, the particles of air move back and forth in a parallel manner to the wave’s motion.
2. Compression and Rarefaction: As the sound wave progresses, it generates areas of high pressure called compressions and areas of low pressure known as rarefactions. Within these zones, the air particles experience sequences of being pushed closer together (compression) and then stretched farther apart (rarefaction) along the path of the sound wave.
The movement of particles within a longitudinal wave resembles the motion of a slinky when you push one end back and forth—each coil moves along the same line as the wave moves through the slinky.
In contrast, a transverse wave involves particles oscillating perpendicular to the direction of the wave’s travel. Imagine a wave traveling along a rope where the particles move up and down while the wave moves horizontally.
Therefore, a sound wave’s classification as a longitudinal wave stems from the fact that the particles oscillate in a parallel fashion to the direction in which the sound wave traverses through the medium.
The remarkable characteristic of sound that aids in identifying a friend's voice in a dark room amid other voices is referred to as "timbre" or "quality." Timbre encompasses the unique tonal color or quality of a sound, allowing us to distinguish between different sources of sound, even when they shRead more
The remarkable characteristic of sound that aids in identifying a friend’s voice in a dark room amid other voices is referred to as “timbre” or “quality.”
Timbre encompasses the unique tonal color or quality of a sound, allowing us to distinguish between different sources of sound, even when they share the same pitch and volume. It’s what sets apart a violin from a flute, or, in this case, one person’s voice from another’s.
Identifying a friend’s voice in a crowd relies on various factors that shape their voice’s timbre:
1. Vocal Cord Characteristics: Each individual possesses distinctive vocal cord sizes and shapes, contributing significantly to their voice’s unique timbre.
2. Resonance: When vocal cords produce sound, it resonates in the throat, mouth, nasal cavity, and other parts of the vocal tract. These varied shapes and sizes further contribute to the distinct timbre of a person’s voice.
3. Articulation: How we form words and articulate sounds also influences our voice’s quality. Everyone has a particular way of speaking, emphasizing specific sounds or having certain accents, which contributes to their recognizable voice timbre.
In a dark room amid a chorus of voices, our brains adeptly dissect the timbre of each voice to pinpoint the familiar ones. We rely on the unique combination of frequencies, harmonics, and resonances in an individual’s voice to recognize them, even when other sound aspects such as volume or pitch might seem similar among different voices.
Hence, it’s the distinct timbre or quality of our friend’s voice that allows us to distinguish and identify them in such circumstances.
The apparent delay between the sighting of lightning and the subsequent hearing of thunder arises from the significant difference in the speeds of light and sound. 1. Speed Disparity: - Light, moving at an astonishingly high velocity of about 186,282 miles per second (299,792 kilometers per second)Read more
The apparent delay between the sighting of lightning and the subsequent hearing of thunder arises from the significant difference in the speeds of light and sound.
1. Speed Disparity:
– Light, moving at an astonishingly high velocity of about 186,282 miles per second (299,792 kilometers per second) in a vacuum, travels at an immensely rapid pace. When lightning strikes, the emitted light swiftly reaches our eyes, virtually instantaneously, presenting itself as an immediate flash.
– Sound, in contrast, travels at a much slower pace. In the atmosphere, its speed is approximately 1,125 feet per second (343 meters per second) at room temperature. This speed varies slightly based on factors like temperature and humidity.
2. Spatial and Temporal Gap:
– When lightning occurs, it generates an intense burst of light. Because light travels so swiftly, the illumination reaches our eyes almost instantly, causing us to perceive the lightning immediately.
– Thunder, however, originates from the rapid expansion and contraction of air around the lightning bolt due to the immense heat. As sound moves comparatively slower, it takes time to propagate through the air to reach our ears.
– Estimating the time lapse between observing the lightning and hearing the thunder, factoring in the speed of sound, allows for an approximate calculation of the lightning’s distance. Each five-second interval between lightning and thunder corresponds to roughly one mile of distance.
Consequently, the delay experienced between witnessing the lightning and hearing the thunder is a consequence of the substantial difference in the speeds of light and sound. The lightning’s luminance reaches us almost instantly, while the sound, moving more gradually, creates the delay in perceiving the thunder.
When determining the wavelengths of sound waves corresponding to frequencies of 20 Hz and 20 kHz in air, we utilize the formula: Wavelength(λ) = (Speed of Sound(v))/(Frequency (f)) Given: Speed of sound in air (v) = 344 m/s Frequency for the lower limit (f_low) = 20 Hz Frequency for the upper limitRead more
When determining the wavelengths of sound waves corresponding to frequencies of 20 Hz and 20 kHz in air, we utilize the formula:
Wavelength(λ) = (Speed of Sound(v))/(Frequency (f))
Given:
Speed of sound in air (v) = 344 m/s
Frequency for the lower limit (f_low) = 20 Hz
Frequency for the upper limit (f_high) = 20,000 Hz (20 kHz)
1. For 20 Hz (lower limit):
The wavelength at 20 Hz:
λ_low = (344 m/s)/(20 Hz) = 17.2 meters
2. For 20 kHz (upper limit):
The wavelength at 20 kHz:
λ_high = (344 m/s)/(20,000 Hz) = 0.0172 meters = 17.2 millimeters
Hence, the typical wavelengths of sound waves in air corresponding to 20 Hz and 20 kHz are:
– 17.2 meters for 20 Hz
– 17.2 millimeters (or 0.0172 meters) for 20 kHz
Identify the part which vibrates to produce sound in the following instruments: Dholak
In a Dholak, the part that vibrates to produce sound is the stretched membrane or the "Pudi" (the drumhead). When struck with hands or sticks, the membrane vibrates, generating sound waves. The tension in the drumhead and the resonant cavity of the drum amplify and shape the sound produced.
In a Dholak, the part that vibrates to produce sound is the stretched membrane or the “Pudi” (the drumhead). When struck with hands or sticks, the membrane vibrates, generating sound waves. The tension in the drumhead and the resonant cavity of the drum amplify and shape the sound produced.
See lessIdentify the part which vibrates to produce sound in the following instruments: Sitar
In a Sitar, the part that vibrates to produce sound is the strings. When plucked or strummed by the musician's fingers or a plectrum (mizrab), the strings vibrate, creating sound waves. These vibrations are transmitted through the bridge to the body of the Sitar, where they resonate and amplify, proRead more
In a Sitar, the part that vibrates to produce sound is the strings. When plucked or strummed by the musician’s fingers or a plectrum (mizrab), the strings vibrate, creating sound waves. These vibrations are transmitted through the bridge to the body of the Sitar, where they resonate and amplify, producing the instrument’s distinctive sound.
See lessIdentify the part which vibrates to produce sound in the following instruments: Flute
In a Flute, the part that vibrates to produce sound is the air column inside the instrument. When a musician blows air across the edge of the embouchure hole (mouthpiece) or blows air through a mouthpiece directed towards the edge, it creates vibrations within the column of air. These vibrations genRead more
In a Flute, the part that vibrates to produce sound is the air column inside the instrument. When a musician blows air across the edge of the embouchure hole (mouthpiece) or blows air through a mouthpiece directed towards the edge, it creates vibrations within the column of air. These vibrations generate sound waves that resonate within the flute’s hollow body, producing the musical tones. Adjusting the player’s fingers over the holes along the flute alters the length of the vibrating air column, creating different notes.
See lessWhat is the difference between noise and music? Can music become noise sometimes?
The difference between noise and music lies in their structural organization, aesthetic qualities, and subjective perception: 1. Noise: Noise refers to irregular, chaotic, or unpleasant sounds lacking musical structure, harmony, or rhythm. It often comprises random frequencies without a discernibleRead more
The difference between noise and music lies in their structural organization, aesthetic qualities, and subjective perception:
1. Noise: Noise refers to irregular, chaotic, or unpleasant sounds lacking musical structure, harmony, or rhythm. It often comprises random frequencies without a discernible pattern. Examples include traffic din, machinery clatter, or other irregular and disordered sounds.
2. Music: Music involves a structured arrangement of sounds, following rhythmic, melodic, and harmonic patterns. It has a deliberate organization, conveying emotions, messages, or artistic expression. Music is often composed, played, or performed with aesthetic and emotional intent.
The categorization of whether music becomes noise can vary based on context, perception, and subjective interpretation:
– Contextual Influence: In certain environments, even structured music may be considered noise if it disrupts the expected ambiance or activities. For instance, loud music in a serene setting might be perceived as disruptive noise.
– Subjective Perception: Personal preferences, cultural backgrounds, and individual tolerance levels significantly influence how music is perceived. What one person finds enjoyable and musical might be considered noise by another due to differing tastes or sensitivity.
– Quality and Execution: Music may be misinterpreted as noise if it’s poorly performed, lacks structure, or is discordant, leading to a perception of disarray or unpleasantness.
In essence, while noise and music have distinct characteristics, the boundary between them can be subjective and context-dependent. What is perceived as enjoyable music to one person may be perceived as noise to another based on personal interpretations, context, and the qualities of the sound itself.
See lessList sources of noise pollution in your surroundings.
Sources of noise pollution in various surroundings encompass: 1. Traffic Noise: Generated by vehicles—cars, buses, trucks—through engines, horns, and exhausts, particularly prevalent in urban areas and near highways. 2. Construction Clamor: Noise emanating from construction sites due to heavy machinRead more
Sources of noise pollution in various surroundings encompass:
1. Traffic Noise: Generated by vehicles—cars, buses, trucks—through engines, horns, and exhausts, particularly prevalent in urban areas and near highways.
2. Construction Clamor: Noise emanating from construction sites due to heavy machinery, drilling, and building activities, affecting nearby residents.
3. Industrial Racket: Factories, manufacturing units, and machinery in industrial zones producing continuous and high-level noise.
4. Aircraft Roar: Noise from aircraft engines and sonic booms, especially around airports or flight corridors.
5. Residential Turmoil: Loud music, barking dogs, lawnmowers, or household chores creating disturbances in residential neighborhoods.
6. Commercial Hubbub: Amplified music, social gatherings, bars, and restaurants contributing to urban noise pollution.
7. Public Events: Noise generated from concerts, festivals, sports events, and parades impacting surrounding areas.
8. Public Address Systems: Loudspeakers in public spaces, transportation hubs, or religious institutions broadcasting at high volumes.
9. Railway Racket: Noise produced by trains—engines, horns, and movement—along railway tracks affecting nearby communities.
10. Recreational Noise: Loud engines of motorcycles, off-road vehicles, and recreational boats disturbing tranquility in recreational areas.
Noise pollution from these diverse sources can lead to detrimental health effects, including stress, hearing impairments, sleep disturbances, and overall decreased quality of life for affected individuals.
See lessWhat is sound and how is it produced?
Sound, an intriguing aspect of our world, is a result of vibrations that travel through a medium, such as air, solids, or liquids. These vibrations create waves that influence the particles in the medium, causing changes in pressure. This transformation in pressure propagates through the medium, culRead more
Sound, an intriguing aspect of our world, is a result of vibrations that travel through a medium, such as air, solids, or liquids. These vibrations create waves that influence the particles in the medium, causing changes in pressure. This transformation in pressure propagates through the medium, culminating in what we perceive as sound.
The birth of sound involves several fundamental components:
1. Vibrating Object: Imagine a guitar string strummed, a drumhead tapped, or vocal cords producing speech. These actions cause the respective objects to vibrate, initiating the creation of sound waves.
2. Medium: Whether it’s the air around us, the water in a pool, or a solid structure, sound necessitates a medium to travel through. When an object vibrates, it disturbs the particles of this medium, setting off a chain reaction of vibrating particles that transmit the sound.
3. Transmission: As these vibrations traverse through the medium, they manifest as waves consisting of compressions (high-pressure zones) and rarefactions (low-pressure zones). The frequency of these waves dictates the pitch of the sound—a higher frequency translates to a higher pitch, while a lower frequency results in a lower pitch.
4. Reception: When these sound waves reach our ears, they cause our eardrums to vibrate in sync with the original sound’s frequency. These vibrations are then transformed into electrical signals in the inner ear, ultimately interpreted by our brain as sound.
In essence, sound emerges from the vibrations of an object, creating waves that travel through a medium, finally being captured by our ears and processed by our brain, enabling us to perceive it as sound.
See lessWhy is sound wave called a longitudinal wave?
A sound wave earns the title of a "longitudinal wave" due to the distinctive manner in which it navigates through a medium. Longitudinal waves are characterized by particle movements aligning parallel to the wave's direction of travel. When we consider a sound wave: 1. Particle Movement: Picture theRead more
A sound wave earns the title of a “longitudinal wave” due to the distinctive manner in which it navigates through a medium. Longitudinal waves are characterized by particle movements aligning parallel to the wave’s direction of travel.
When we consider a sound wave:
1. Particle Movement: Picture the sound traveling through air. The particles in the air sway to and fro along the same axis as the wave’s journey. This means that as the sound wave moves forward, the particles of air move back and forth in a parallel manner to the wave’s motion.
2. Compression and Rarefaction: As the sound wave progresses, it generates areas of high pressure called compressions and areas of low pressure known as rarefactions. Within these zones, the air particles experience sequences of being pushed closer together (compression) and then stretched farther apart (rarefaction) along the path of the sound wave.
The movement of particles within a longitudinal wave resembles the motion of a slinky when you push one end back and forth—each coil moves along the same line as the wave moves through the slinky.
In contrast, a transverse wave involves particles oscillating perpendicular to the direction of the wave’s travel. Imagine a wave traveling along a rope where the particles move up and down while the wave moves horizontally.
Therefore, a sound wave’s classification as a longitudinal wave stems from the fact that the particles oscillate in a parallel fashion to the direction in which the sound wave traverses through the medium.
See lessWhich characteristic of the sound helps you to identify your friend by his voice while sitting with others in a dark room?
The remarkable characteristic of sound that aids in identifying a friend's voice in a dark room amid other voices is referred to as "timbre" or "quality." Timbre encompasses the unique tonal color or quality of a sound, allowing us to distinguish between different sources of sound, even when they shRead more
The remarkable characteristic of sound that aids in identifying a friend’s voice in a dark room amid other voices is referred to as “timbre” or “quality.”
Timbre encompasses the unique tonal color or quality of a sound, allowing us to distinguish between different sources of sound, even when they share the same pitch and volume. It’s what sets apart a violin from a flute, or, in this case, one person’s voice from another’s.
Identifying a friend’s voice in a crowd relies on various factors that shape their voice’s timbre:
1. Vocal Cord Characteristics: Each individual possesses distinctive vocal cord sizes and shapes, contributing significantly to their voice’s unique timbre.
2. Resonance: When vocal cords produce sound, it resonates in the throat, mouth, nasal cavity, and other parts of the vocal tract. These varied shapes and sizes further contribute to the distinct timbre of a person’s voice.
3. Articulation: How we form words and articulate sounds also influences our voice’s quality. Everyone has a particular way of speaking, emphasizing specific sounds or having certain accents, which contributes to their recognizable voice timbre.
In a dark room amid a chorus of voices, our brains adeptly dissect the timbre of each voice to pinpoint the familiar ones. We rely on the unique combination of frequencies, harmonics, and resonances in an individual’s voice to recognize them, even when other sound aspects such as volume or pitch might seem similar among different voices.
Hence, it’s the distinct timbre or quality of our friend’s voice that allows us to distinguish and identify them in such circumstances.
See lessFlash and thunder are produced simultaneously. But thunder is heard a few seconds after the flash is seen, why?
The apparent delay between the sighting of lightning and the subsequent hearing of thunder arises from the significant difference in the speeds of light and sound. 1. Speed Disparity: - Light, moving at an astonishingly high velocity of about 186,282 miles per second (299,792 kilometers per second)Read more
The apparent delay between the sighting of lightning and the subsequent hearing of thunder arises from the significant difference in the speeds of light and sound.
1. Speed Disparity:
– Light, moving at an astonishingly high velocity of about 186,282 miles per second (299,792 kilometers per second) in a vacuum, travels at an immensely rapid pace. When lightning strikes, the emitted light swiftly reaches our eyes, virtually instantaneously, presenting itself as an immediate flash.
– Sound, in contrast, travels at a much slower pace. In the atmosphere, its speed is approximately 1,125 feet per second (343 meters per second) at room temperature. This speed varies slightly based on factors like temperature and humidity.
2. Spatial and Temporal Gap:
– When lightning occurs, it generates an intense burst of light. Because light travels so swiftly, the illumination reaches our eyes almost instantly, causing us to perceive the lightning immediately.
– Thunder, however, originates from the rapid expansion and contraction of air around the lightning bolt due to the immense heat. As sound moves comparatively slower, it takes time to propagate through the air to reach our ears.
– Estimating the time lapse between observing the lightning and hearing the thunder, factoring in the speed of sound, allows for an approximate calculation of the lightning’s distance. Each five-second interval between lightning and thunder corresponds to roughly one mile of distance.
Consequently, the delay experienced between witnessing the lightning and hearing the thunder is a consequence of the substantial difference in the speeds of light and sound. The lightning’s luminance reaches us almost instantly, while the sound, moving more gradually, creates the delay in perceiving the thunder.
See lessA person has a hearing range from 20 Hz to 20 kHz. What are the typical wavelengths of sound waves in air corresponding to these two frequencies? Take the speed of sound in air as 344 m s^–1.
When determining the wavelengths of sound waves corresponding to frequencies of 20 Hz and 20 kHz in air, we utilize the formula: Wavelength(λ) = (Speed of Sound(v))/(Frequency (f)) Given: Speed of sound in air (v) = 344 m/s Frequency for the lower limit (f_low) = 20 Hz Frequency for the upper limitRead more
When determining the wavelengths of sound waves corresponding to frequencies of 20 Hz and 20 kHz in air, we utilize the formula:
Wavelength(λ) = (Speed of Sound(v))/(Frequency (f))
Given:
Speed of sound in air (v) = 344 m/s
Frequency for the lower limit (f_low) = 20 Hz
Frequency for the upper limit (f_high) = 20,000 Hz (20 kHz)
1. For 20 Hz (lower limit):
The wavelength at 20 Hz:
λ_low = (344 m/s)/(20 Hz) = 17.2 meters
2. For 20 kHz (upper limit):
The wavelength at 20 kHz:
λ_high = (344 m/s)/(20,000 Hz) = 0.0172 meters = 17.2 millimeters
Hence, the typical wavelengths of sound waves in air corresponding to 20 Hz and 20 kHz are:
See less– 17.2 meters for 20 Hz
– 17.2 millimeters (or 0.0172 meters) for 20 kHz