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  1. The correct answer is (B) Sarasvatī. The Sarasvatī River is believed to have been a major river during the Indus-Sarasvatī Civilisation but later dried up due to climatic changes and tectonic shifts. Many Harappan settlements were located along its course. For more visit here: https://www.tiwariacadRead more

    The correct answer is (B) Sarasvatī. The Sarasvatī River is believed to have been a major river during the Indus-Sarasvatī Civilisation but later dried up due to climatic changes and tectonic shifts. Many Harappan settlements were located along its course.

    For more visit here:
    https://www.tiwariacademy.in/ncert-solutions/class-6/social-science/

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  2. The correct answer is (D) Ṛig Veda. The Ṛig Veda is the oldest of the four Vedas, composed around 1500 BCE. It consists of hymns dedicated to various deities and provides valuable insights into early Vedic society, rituals, and beliefs. For more visit here: https://www.tiwariacademy.in/ncert-solutioRead more

    The correct answer is (D) Ṛig Veda. The Ṛig Veda is the oldest of the four Vedas, composed around 1500 BCE. It consists of hymns dedicated to various deities and provides valuable insights into early Vedic society, rituals, and beliefs.

    For more visit here:
    https://www.tiwariacademy.in/ncert-solutions/class-6/social-science/

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  3. The Aroha (ascending notes) of Raga Yaman consists of N R G M D N Ṡ. It is derived from the Kalyan thaat and includes the tivra Madhyam, which gives the raga its unique, uplifting quality. This upward progression establishes the raga’s open and expansive nature. The structured ascent ensures a smooRead more

    The Aroha (ascending notes) of Raga Yaman consists of N R G M D N Ṡ. It is derived from the Kalyan thaat and includes the tivra Madhyam, which gives the raga its unique, uplifting quality. This upward progression establishes the raga’s open and expansive nature. The structured ascent ensures a smooth flow, maintaining Raga Yaman’s soothing and devotional character. The placement of tivra Madhyam adds emotional intensity, making the raga ideal for classical and semi-classical compositions.

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  4. The Bandish taught in Activity 3 is based on Raga Yaman, a fundamental raga in Hindustani classical music. It belongs to the Kalyan thaat and is characterized by its smooth, flowing melodies. This raga expresses devotion, romance and spirituality, making it a favorite for evening performances. ManyRead more

    The Bandish taught in Activity 3 is based on Raga Yaman, a fundamental raga in Hindustani classical music. It belongs to the Kalyan thaat and is characterized by its smooth, flowing melodies. This raga expresses devotion, romance and spirituality, making it a favorite for evening performances. Many traditional compositions, including Bandishes and film songs, are inspired by its structure. The use of tivra Madhyam in Yaman creates an uplifting and expansive feel, making it one of the most widely used ragas.

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  5. The Avaroha (descending notes) of Raga Yaman is Ṡ N D P M G R S. It smoothly brings the melody back to the tonic Sa while maintaining the raga’s expressive depth. The descending sequence complements the ascending progression, ensuring consistency in the raga’s mood. The presence of tivra Madhyam inRead more

    The Avaroha (descending notes) of Raga Yaman is Ṡ N D P M G R S. It smoothly brings the melody back to the tonic Sa while maintaining the raga’s expressive depth. The descending sequence complements the ascending progression, ensuring consistency in the raga’s mood. The presence of tivra Madhyam in both ascent and descent preserves Yaman’s bright and expansive feel, allowing for fluid melodic movements. This descending structure is essential for maintaining the raga’s identity and aesthetic appeal.

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