Palghat Mani Iyer introduced the concept of active accompaniment, where the mridangam supported and enhanced the main melody rather than just maintaining rhythm, making percussion an essential part of Carnatic concert improvisation.
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Traditionally, mridangam was played as a background rhythm instrument. However, Palghat Mani Iyer introduced active accompaniment, meaning the mridangam dynamically interacted with the vocalist or instrumentalist, creating a richer musical experience. He emphasized following melodic phrases, adding rhythmic embellishments that highlighted and complemented compositions. His approach gave mridangam players artistic freedom, making their role collaborative rather than just supportive, thus revolutionizing Carnatic percussion techniques.