Laya (tempo) controls a taal’s speed: vilambit (slow), madhya (medium), or drut (fast). Different layas influence composition complexity, improvisation possibilities and emotional impact, altering the performance’s feel and intensity.
Class 6 NCERT Arts Chapter 8 Taal or Talam and Raga or Ragam in Indian Music solutions
Class 6 Visual Arts Textbook chapter 8 Taal or Talam and Raga or Ragam in Indian Music question answer
Laya defines a taal’s speed and plays a crucial role in Hindustani classical music. There are three main types:
1. Vilambit Laya (slow tempo) – Used in detailed, expressive alap and khayal singing.
2. Madhya Laya (medium tempo) – Common in semi-classical and instrumental music.
3. Drut Laya (fast tempo) – Used in fast-paced compositions like tarana or jhala.
Shifting laya changes a performance’s mood, allowing for different levels of complexity and expression, influencing both musicians and listeners.