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Srushti

Anudhrutam consists of one beat in Carnatic music. It is the shortest rhythmic unit, played with a single clap, helping maintain a steady tempo in talam cycles. Class 6 Visual Arts Kriti-I Taal or Talam and Raga or Ragam in Indian ...

Subham Kumar

Layakari is the manipulation of tempo within a taal. It includes double speed (dugun), triple speed (tigun) and irregular speeds, creating intricate rhythmic patterns. Class 6 Arts Grade 6 chapter 8 Taal or Talam and Raga or Ragam in Indian Music ...

Subham Kumar

Arudi is a strongly emphasized rhythmic point in a tala cycle, often placed after a laghu or dhrutam. It serves as a structural anchor in compositions, marking significant pauses or rhythmic accents. Class 6 Arts Grade 6 chapter 8 Taal or ...

Subham Kumar

Chhand refers to rhythmic patterns, while lay defines the speed of a composition. Chhand creates variations within a taal, while lay determines if the rhythm is slow (vilambit), medium (madhya) or fast (drut). Class 6 Arts Kriti-I Chapter 8 Taal or ...

Mayur Arya

Indian classical music has two main styles: Hindustani music (North Indian tradition) and Carnatic music (South Indian tradition). While both use ragas and talas, Hindustani music emphasizes improvisation, whereas Carnatic music follows structured compositions. Class 6 Arts Kriti-I Chapter 8 Taal ...