Yati refers to the patterned arrangement of rhythm in Carnatic music. It includes symmetrical and asymmetrical designs like Samayati (equal), Gopuchayati (decreasing), and Damaruyati (expanding and contracting), enhancing rhythmic variations in compositions. Class 6 Arts Grade 6 chapter 8 Taal or ...
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Chapu Talam has odd beat groupings (e.g., Misra Chapu – 7 beats), whereas Adi Talam follows a structured 8-beat cycle (4+2+2). Chapu Talam is flexible, while Adi Talam is more structured and widely used. Class 6 Visual Arts Textbook chapter 8 ...
Tala angas are structural components of a talam, helping define rhythmic patterns. The three primary angas are Laghu (variable beats), Dhrutam (2 beats) and Anudhrutam (1 beat), shaping the rhythmic framework in Carnatic compositions. Class 6 Visual Arts Textbook chapter 8 ...
Avartanam is one complete cycle of a talam in Carnatic music. It begins at the first beat and continues through all beats before repeating. It helps maintain rhythmic structure in compositions and performances. Class 6 NCERT Arts Chapter 8 Taal or ...
Laya (tempo) controls a taal’s speed: vilambit (slow), madhya (medium), or drut (fast). Different layas influence composition complexity, improvisation possibilities and emotional impact, altering the performance’s feel and intensity. Class 6 NCERT Arts Chapter 8 Taal or Talam and Raga or ...