In Indian classical dance, the term "Bhanga" refers to different types of body bends that define postures and movements. The three main types are Samabhanga (a straight, symmetrical stance), Tribhanga (a triple-bend posture at the neck, torso and knee) and Atibhanga (a more exaggerated version of beRead more
In Indian classical dance, the term “Bhanga” refers to different types of body bends that define postures and movements. The three main types are Samabhanga (a straight, symmetrical stance), Tribhanga (a triple-bend posture at the neck, torso and knee) and Atibhanga (a more exaggerated version of bending). These bents help in expressing emotions and narratives effectively, making classical dance forms more visually appealing and rhythmically engaging while maintaining traditional aesthetic principles.
Kathak and Bharatanatyam are two classical dance forms that prominently use the Sama Bhanga posture. In Kathak, this posture provides a steady base for executing intricate footwork, rhythmic spins and graceful storytelling. Bharatanatyam uses Sama Bhanga to maintain symmetrical and structured movemeRead more
Kathak and Bharatanatyam are two classical dance forms that prominently use the Sama Bhanga posture. In Kathak, this posture provides a steady base for executing intricate footwork, rhythmic spins and graceful storytelling. Bharatanatyam uses Sama Bhanga to maintain symmetrical and structured movements, ensuring precision in every gesture. This posture helps dancers maintain balance while shifting between different poses and expressions, making it essential for disciplined, refined performances in these classical traditions.
Mohiniyattam is a classical dance form from Kerala, named after "Mohini," the female form of Lord Vishnu. It is characterized by slow, elegant movements, gentle swaying of the body and expressive facial gestures, creating a deeply emotive storytelling experience. The dance follows the Lasya style, eRead more
Mohiniyattam is a classical dance form from Kerala, named after “Mohini,” the female form of Lord Vishnu. It is characterized by slow, elegant movements, gentle swaying of the body and expressive facial gestures, creating a deeply emotive storytelling experience. The dance follows the Lasya style, emphasizing feminine grace, fluidity and delicate hand gestures. Traditionally performed in temples, Mohiniyattam is accompanied by Carnatic music, reinforcing its spiritual and devotional essence.
The Mohiniyattam dance form follows the Sama Bhanga posture, ensuring balance and fluidity in movements. This posture allows dancers to maintain graceful sways and soft, continuous motions, essential to the dance’s elegance. Unlike other classical forms that incorporate rigid stances, Mohiniyattam eRead more
The Mohiniyattam dance form follows the Sama Bhanga posture, ensuring balance and fluidity in movements. This posture allows dancers to maintain graceful sways and soft, continuous motions, essential to the dance’s elegance. Unlike other classical forms that incorporate rigid stances, Mohiniyattam emphasizes slow, circular movements and delicate expressions. This stance highlights the Lasya aspect of the dance, making it mesmerizing and poetic, capturing the beauty of subtle, controlled movements in storytelling.
The classical dance form Sattriya hails from Assam and was introduced by the saint-scholar Srimanta Sankardev in the 15th century. Originally performed in monasteries (Satras) as a devotional act, it narrates stories of Lord Krishna and other mythological characters. Sattriya incorporates rhythmic fRead more
The classical dance form Sattriya hails from Assam and was introduced by the saint-scholar Srimanta Sankardev in the 15th century. Originally performed in monasteries (Satras) as a devotional act, it narrates stories of Lord Krishna and other mythological characters. Sattriya incorporates rhythmic footwork, intricate hand gestures and expressive facial movements to convey spiritual themes. Over time, it transitioned from a religious practice to a recognized classical dance, preserving Assamese culture and devotion through its refined movements.
What is the term used to describe the body’s different bents in classical dance?
In Indian classical dance, the term "Bhanga" refers to different types of body bends that define postures and movements. The three main types are Samabhanga (a straight, symmetrical stance), Tribhanga (a triple-bend posture at the neck, torso and knee) and Atibhanga (a more exaggerated version of beRead more
In Indian classical dance, the term “Bhanga” refers to different types of body bends that define postures and movements. The three main types are Samabhanga (a straight, symmetrical stance), Tribhanga (a triple-bend posture at the neck, torso and knee) and Atibhanga (a more exaggerated version of bending). These bents help in expressing emotions and narratives effectively, making classical dance forms more visually appealing and rhythmically engaging while maintaining traditional aesthetic principles.
See lessName two dance forms that use the Sama Bhanga posture.
Kathak and Bharatanatyam are two classical dance forms that prominently use the Sama Bhanga posture. In Kathak, this posture provides a steady base for executing intricate footwork, rhythmic spins and graceful storytelling. Bharatanatyam uses Sama Bhanga to maintain symmetrical and structured movemeRead more
Kathak and Bharatanatyam are two classical dance forms that prominently use the Sama Bhanga posture. In Kathak, this posture provides a steady base for executing intricate footwork, rhythmic spins and graceful storytelling. Bharatanatyam uses Sama Bhanga to maintain symmetrical and structured movements, ensuring precision in every gesture. This posture helps dancers maintain balance while shifting between different poses and expressions, making it essential for disciplined, refined performances in these classical traditions.
See lessWhat is the place of origin of the Mohiniyattam dance form?
Mohiniyattam is a classical dance form from Kerala, named after "Mohini," the female form of Lord Vishnu. It is characterized by slow, elegant movements, gentle swaying of the body and expressive facial gestures, creating a deeply emotive storytelling experience. The dance follows the Lasya style, eRead more
Mohiniyattam is a classical dance form from Kerala, named after “Mohini,” the female form of Lord Vishnu. It is characterized by slow, elegant movements, gentle swaying of the body and expressive facial gestures, creating a deeply emotive storytelling experience. The dance follows the Lasya style, emphasizing feminine grace, fluidity and delicate hand gestures. Traditionally performed in temples, Mohiniyattam is accompanied by Carnatic music, reinforcing its spiritual and devotional essence.
See lessWhich posture is associated with Mohiniyattam?
The Mohiniyattam dance form follows the Sama Bhanga posture, ensuring balance and fluidity in movements. This posture allows dancers to maintain graceful sways and soft, continuous motions, essential to the dance’s elegance. Unlike other classical forms that incorporate rigid stances, Mohiniyattam eRead more
The Mohiniyattam dance form follows the Sama Bhanga posture, ensuring balance and fluidity in movements. This posture allows dancers to maintain graceful sways and soft, continuous motions, essential to the dance’s elegance. Unlike other classical forms that incorporate rigid stances, Mohiniyattam emphasizes slow, circular movements and delicate expressions. This stance highlights the Lasya aspect of the dance, making it mesmerizing and poetic, capturing the beauty of subtle, controlled movements in storytelling.
See lessFrom which state does the Sattriya dance form originate?
The classical dance form Sattriya hails from Assam and was introduced by the saint-scholar Srimanta Sankardev in the 15th century. Originally performed in monasteries (Satras) as a devotional act, it narrates stories of Lord Krishna and other mythological characters. Sattriya incorporates rhythmic fRead more
The classical dance form Sattriya hails from Assam and was introduced by the saint-scholar Srimanta Sankardev in the 15th century. Originally performed in monasteries (Satras) as a devotional act, it narrates stories of Lord Krishna and other mythological characters. Sattriya incorporates rhythmic footwork, intricate hand gestures and expressive facial movements to convey spiritual themes. Over time, it transitioned from a religious practice to a recognized classical dance, preserving Assamese culture and devotion through its refined movements.
See less