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Mayur Arya

Tali (clap) and Khali (wave) mark the strong and weak beats of a taal. Tali represents accented beats, while Khali denotes lighter beats, providing structure to rhythmic cycles in Hindustani music and aiding in musical improvisation. Class 6 Visual Arts Kriti-I ...

Mayur Arya

Dadra Taal consists of 6 matras, divided into two vibhags (sections). Its bols are Dha Dhin Na Dha Tu Na. The Tali (clap) is on the 1st matra, and the Khali (wave) is on the 4th matra. Class 6 Arts Kriti-I ...

Mayur Arya

Keharva Taal has 8 matras divided into two vibhags (sections). Its bols (syllables) are Dha Ge Na Ti Na Ka Dhin Na. The Tali (clap) is on the 1st matra, and Khali (wave) is on the 5th matra. Class 6 Arts ...

Mayur Arya

Carnatic music uses techniques like Akaram (open vowel singing), Gamakam (note oscillation), Briga (fast note runs), Sphuritam (stress on notes) and Jaru (gliding between notes) to enhance melodic beauty and expressiveness in performance. Class 6 NCERT Arts Chapter 8 Taal or ...

Mayur Arya

Gamakas add ornamentation by oscillating, sliding or stressing notes, making Indian classical music more expressive. They enhance the depth, mood and beauty of a raga, distinguishing it from a simple scale. Class 6 NCERT Arts Chapter 8 Taal or Talam and ...